Travelling with sketchbook in Rajasthan
Interesting to encounter traditional block printing after years of making blocks in my own way.





Travelling with sketchbook in Rajasthan
Interesting to encounter traditional block printing after years of making blocks in my own way.





Photos from a 9 week set of textile printing with Flying arts which covered screenprinting, block printing, hand painting and photoemulsion screens.





Glad the festival was back on, although all bar one of our group went home sick c’est la vie!
We managed to run few great workshops in the pouring rain before we left though.






Exploring some techniques that are both old and new to me. Back to tin tack basics with mordants. I usually make my own mordants from rusty objects, but am trying some more refined mordants for different darker results. I’m learning to print with these natural dyes on cotton and linen which allows me to transform all manner of secondhand items. The flooding of the work studio at BIA and is a new beginning of more considered choices. Still doing the mud clean up there, many hands make good friends, and strangely fresh atmosphere. Sad that so many prints and books were lost. Still rescuing throw outs from the street! An artists treasures and tools are a strange hodgepodge indeed.
Woodford festival marks the old and new year for me, and the Bushtime festival was a magical small festival that seemed to distill the best of the other festivals, Science talks and walks, nights under the stars, busy creative sessions with the Woodford children cabaret and folk music. Best of all are the wonderful folk who belong to Woodford and create the festival each year, who hold a silence for the old year, and greet the new year sunrise with chanting on the hill









Some photos from a project for Zig Zag young women’s art group. Sessions in screenprinting, expressive printmaking, jewellery making, pinch pot ceramics, sculptural casting, artist books and more. I really enjoyed facilitating these sessions where friendships grew as art was being created.







Winter timetable 2021 is out and the courses for second semester are now enrolling. Brisbane Institute of Art has exhibitions in the Metcalfe gallery. Open studio spaces have a well lit and spacious ambience. Classes are for beginner through to advanced students.
Two photos, one from Glen Skien’s book to print course which I have been studying this semester, the other a photo of the display from the fabric printing semester class that I tutor.


Autumn is a great time to learn new skills or return to creative interests, and there are some exciting offerings the program at Brisbane Institute of Art.
https://brisart.org/courses/short-courses/short-courses-timetable
I am offering a short course in printmaking with water based mediums on May 29th and 30th https://brisart.org/courses/short-courses/water-based-media-in-printmaking-detail
I’m also offering Indigo and plant dyeing https://brisart.org/courses/short-courses/indigo-plant-dyes-on-textiles-detail
cost is $345 for the 2 day courses.







I’m back in my studio, and have planted the garden with vegetables and fruit in pots to tempt and inspire me, as they crawl along the footpath and driveway, over fences and offer up their daily pickings. the shapes intrigue me, their interactions form conversations with each other and the animals that live among them. Entwining their lives with mine, I am intrigued that these plants have followed humans around for millennium, thriving on our ash and waste, while feeding us. In monoculture, we miss this dynamic, and it seems like missing the point of our place in time, space and collective memory.









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